The Map of Salt and Stars- Jennifer Zeynab Joukhadar
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The Map of
Salt and Stars review- Jennifer
Zeynab Joukhadar
The Syrian refugee crisis could not be more prominent
within the media than it is at present, with news alerts appearing almost every
day, screaming headlines on conflict and suffering. But how often is it that we
receive a perspective untainted by prejudiced assumptions, unbiased and
unaffected by fear-mongering and exaggeration? In The Map of Salt and Stars, Syrian-American author Jennifer Zeynab
Joukhadar places the story back in the rightful hands of the Syrians
themselves, through her compelling tale of one families' struggle to escape
their war-torn country, and re-define what it means to be at home.
Joukhadar presents this journey through the eyes of
12-year old Nour, who has spent most of her life in Manhattan, before the
family return to their home in Syria, only to have it torn to pieces. Speaking
just a sparse amount of Arabic, Nour must come to terms with the loss of a
country she barely even knew, and hold onto the fragments of her shattered
identity. Running alongside this narrative is the ancient tale of Rawiya,
the young apprentice who disguises her gender in order to accompany map-maker Al-Drisi
on his expedition around the globe, with the purpose of creating the most
accurate world map ever to exist. Thus, beyond anything else, this is a novel
about journeys- it is Nour's journey towards discovering who she really is;
Rawiya's journey through unrecorded landscapes, and the Syrian journey towards
an unknown, unstable future.
Nour's 12-year-old perspective is particularly
interesting, as her character shows aspects of intense, adult-like
responsibility and awareness, alongside child-like inquisitiveness and wonder.
She marvels at beautiful stones as she stands at the Egyptian border with her
family's life at risk, and muses on the "colours" of human voices as
she waits in hospitals. This has a harrowing effect on the reader as it reminds
us that those children we see everyday on the news, bare-footed and
solemn-faced, blurred into a position of anonymity, are still very much
children-dealing with so much at such a young age. This idea also links to the
strong-willed character of teenage Rawiya, forced out of childhood and
femininity in order to hold rank as part of an esteemed expedition. She is
depicted almost as Nour's idol: hers is the story she was told each night, and
hers is the sense of hope she carries with her.
A reviewer on Goodreads described the novel as being
'to Syria what the Kite Runner was to Afghanistan', however I regard this
comment as quite reductive, as it links the two novels together based on their
depiction of suffering, with the implication being that such countries can only
tell one type of story. In fact, this comment also ignores the influence of
Rawiya's narrative, which moves beyond harsh reality to the realm of fantasy.
The expedition are taunted by a mythological bird of prey, for example, and
face other fantastical obstacles during their journey. Whilst Joukhadar based
the map-maker, Al-Drisi, on a real individual, the rest of the narrative was
fabricated to create a kind of ancient fable, which explores a genre of writing
that is often absent in the modern world of literature. And this decision was
not random- as Rawiya's story, albeit fictional, draws interesting parallels
with Nour's life, which the reader becomes increasingly aware of throughout the
novel.
Perhaps, this is the most creditable aspect of the
novel: that it manages to say something about Syria, whilst being able to say
so many other things as well. The life of a 12-year-old child is not defined by
conflict and loss, it is full of magic, imagination (and yes, indeed, 'Salt'
and 'Stars.') What Joukhadar has managed to achieve, within her debut novel no
less, is something that re-establishes the humanity behind terms such as
'refugee' and 'crisis', providing a refreshing alternative to the media's
distorted depiction.

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